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           Pantoumery

This was written following the discovery of the Pantoum style of poetry and our feeble attempts to apply to our own works.

This Pantoum stuff be ever so ‘ard
Writing it down and shaggin’ along
Getting it right when we be jarred
Praying aloud it don’t go wrong

Writing it down and shaggin’ along
Hoping, hoping nothing is missed
Praying aloud it don’t go wrong
But ever so, ever so, ever so pissed

Hoping, hoping nothing is missed
One is the same, two are for free
But ever so, ever so, ever so pissed
The whole damned thing getting to me

One is the same, two are for free
Just one to go to be a bard
The whole damned thing getting to me
This Pantoum stuff be ever so ‘ard

 

 

© 2003 The Five Litre Poets Society

 

               Terror in the Tap Room

This was written immediately following a chance encounter in the Tap Room of the New York Athletic Club with Donald Rumsfeld, US Secretary of State for War and arch hawk in the invasion of Iraq. The date was 12th September 2003 and the assumption was that he was there in connection with “9/11”.  However it turned out that he was there for a dinner to honour distinguished wrestlers of the NYAC who were to be inducted into the Hall of Fame. Rummy had been a wrestler in his college days!

 

Holed up in NYAC
Rumsfeld in the Tap Room bar
In this country of the free
Iraq, Iraq it seems so far

Rumsfeld in the Tap Room bar
Wrestling with his conscience?
Iraq, Iraq it seems so far
Such a thought would be such nonsense

Wrestling with his conscience?
Questioning his dangerous game?
Such a thought would be such nonsense
He’s here to join the Hall of Fame

Questioning his dangerous game?
No, that is not to be
He’s here to join the Hall of Fame
Holed up in NYAC

 

 

© 2003 The Five Litre Poets Society

 

Goodbye, Wrecker Bill

At the 2003 Cape Cod gathering of the Five Litre Poets Society it was agreed after some protracted and increasingly acrimonious discussion that in the public eye the Wrecker Bill epics were in danger becoming more important than the Society itself.  The decision was taken amidst the general brawling and mayhem that Bill should be written out and shown up for what he really was – an immoral opportunistic antihero who far from being lionised by a whole generation should be despised and then forgotten.  But like Sherlock Holmes’ ‘final’ confrontation with Professor Moriaty there should be some chance of a later return, just in case the Society should run into hard times.

It was agreed that Wrecker Bill should be consigned by Committee, with all aspects of the Cape Cod poetry scene being included, hence the Helmet Crab,  the seals and the varying poetic styles. Turner was added in recognition of the then current exhibition of his seascapes.  As a final tribute to the influence of Wrecker Bill on the development of the Society, the customary allocation of grog was doubled to ten litres.

Goodbye, Bill, you stood us well you old villain.

 

 

I’ve had my fill, thought Wrecker Bill
Of the raw red meat of life
I’ve lured the ships with my siren lights
And shown no mercy to those poor souls
Consigned in terror to Davey Jones
I’ve filled my locker without regret
But now ‘tis me the rocks do beckon
To face my Maker’s cold eyed reckon

Dark thoughts overcome me
I am now but a Helmet Crab
Crawling without hope to nowhere
To be flipped by the predatory gull
My insides torn asunder
My earthly shell left to rot
On life’s dismal shore

I’ve been a bad sea dog, you all know that of course
And there ain’t no time to show remorse
But wait, there is a brighter side
Which you shall hear my hearties
So you won’t talk so ill of dear old Bill
When at your cocktail parties

I’ve had my whores and downed the drawers
Of many a virtuous lady
I’ve widowed her as she asked for more
While groaning into a shameless whore
And I’ve had many a beer and an occasional queer
As my tastes grew more to the bestial

For the lustful caress of a fallen young lass
Is but nothing to me like the feel of a seal.
Their pitiful eyes and feminine sighs
My gift from Old Neptune, my heavenly prize
The nearest I’ve been to Cupid’s sweet dream
But as soon as the moment has passed
(For these things, they never do last)
I slit her old throat and return to my boat
For a noggin or two and a kip.

Much has been written of me as a man of the sea
And to some I’m a hero of sorts
I’ve adorned the front page and appeared on the stage
And been in a seascape by Turner
But it’s fair turned my head it’s increasingly said
And taken my mind from my wrecking

I’ve sold my old whores and opened new doors
Into the meaning of life
I’ve exchanged my old hook for the quill and the book
And would you believe it, my former old hearty
I’m now fully a part of the gay literati!

So it’s farewell from me to you and the sea.
Thanks to hormones and pills and surgical skills
It’s goodbye Wrecker Bill and meet Randy Jill
As I’m flashing my tits at the Ritz

A girl with a story to sell.

.

 

© 2003 The Five Litre Poets Society

 

                         Leave Home!

This was written and first performed at the 2003 Cheltenham Festival of Literature.  The subject had been set by the Poet in Residence and 26 hours allowed for composition. As this period coincided with the England v. South Africa World Cup rugby match with its associated revelry and mayhem the Five Litre poet had only a window of two hours to prepare his opus. Despite this, the reception by fellow poets and groupies fell far short of being given the bird.

Living with mum, living with dad
In Cheltenham Spa, rah, rah, rah
Life is funny, life is mad
Drinking lager in the bar, bar, bar

Free, white and twenty one
No GCSEs, no degree
Having lots and lots of fun
Foot loose and fancy free

Filling shelves all day long
My own little room back at home
Thinking of girls as the week rolls on
Weekend coming, I won’t be alone!

Free, white and thirty three
Hurt my back, ha, ha, ha
So more work for little me
In Cheltenham Spa, hurrah, hurrah

Free, white and forty five
Ten years now on the dole
Just enough to keep me alive
But mum and dad are getting old

Free, white and nearly fifty
Mum is dying, dad is gaga
Soon no need to be so thrifty
There must still be girls in Cheltenham Spa!

Free, white and sixty three
Sole inheritance I have won
The house is mine and mortgage free
That’s the prize for an only son

Remember the words of my old mum
When I was free, white and twenty one
“Leave home and have a life, my son
No other chance when this one’s done”

Free, white and nearly done
No one to love me, no one to love
Mum and dad already gone
To their other home, the one above

On my lonely tombstone shall be read
“He heeded the words of his dear old ma
And left his home, but he was dead
Under the ground of Cheltenham Spa”

 

 

© 2003 The Five Litre Poets Society

 

   Under the Clock

This was written some eighteen years after the actual event.

At Charing Cross, under the clock
Beneath my arm the NME
Looking towards the oncoming flock
I awaited the girl who was for me.

Beneath my arm the NME
To make me seem not quite so old
I awaited the girl who was for me
At that time I was ever so bold

To make me seem not quite so old
The NME was a cunning device
At that time I was ever so bold
I had to win whatever the price

The NME was a cunning device
My hair was slick, my tie was bright
I had to win whatever the price
My shoes were suede, my suit was white

My hair was slick, my tie was bright
What would she think, me clad like that?
My shoes were suede, my suit was white
All in all a bit of a prat

What would she think, me clad like that
Like a conman stood in the dock
All in all a bit of a prat
At Charing Cross, under the clock.

 

 

© 2003 The Five Litre Poets Society